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Murrow is the biography of America's foremost broadcast journalist, Edward R. Murrow. At twenty-nine, he was the prototype of a species new to communications-an eyewitness to history with power to reach millions. His wartime radio reports from London rooftops brought the world into American homes for the first time. His legendary television documentary See It Now exposed us to the scandals and injustices within our own country. Friend of Presidents, conscience of the people, Murrow remained an enigma-idealistic, creative, self-destructive. In this portrait, based on twelve years of research, A. M. Sperber reveals the complexity and achievements of a man whose voice, intelligence, and honesty inspired a nation during its most profound and vulnerable times.
- Sales Rank: #1740110 in Books
- Brand: Brand: Fordham University Press
- Published on: 1999-01-01
- Original language: English
- Number of items: 1
- Dimensions: 5.80" h x 1.90" w x 9.00" l, 2.44 pounds
- Binding: Paperback
- 795 pages
Features
- Used Book in Good Condition
From Publishers Weekly
Sperber, a freelance journalist, offers a richly detailed life of legendary CBS newsman Edward R. Murrow (19081965), whose WW II radio reporting ("Thisis London") and See It Now TV documentaries (including his expose on Sen. Joseph McCarthy) set the highest standards for broadcast journalism. While sometimes creaking under the weight of her exhaustive research (over 150 interviews and previously untapped CBS, BBC, U.S. and Murrow papers), Sperber's book succeeds brilliantly in illuminating crucial periods: her subject's early exposure to ideas and world affairs in his work at the Institute of International Education and in efforts on behalf of refugee German scholars; his pioneering wartime reporting with "Murrow's Boys" (William Shirer, Howard K. Smith, etc.); and his frustrating battles with management, sponsors and Cold War critics at CBS-TV, where his independence foundered ultimately with the rise of a large, tightly controlled news organization. Behind the handsome, chain-smoking superstar (who, ironically, was best known for his celebrity TV interviews on Person to Person, which he deemed embarrassing), Sperber finds a complex intellectual and moralist, given to dark moods, whose creative achievements occurred in a medium that never rose to his vision for it. Must reading for anyone interested in Murrow and early broadcasting. Photos. BOMC alternate.
Copyright 1986 Reed Business Information, Inc.
From Library Journal
An absorbing, exhaustively researched, and powerful biography. An articulate young man, Murrow had already become a leader in college. He went on to New York to direct the Institute of International Education, then joined CBS radio, where he made a name for himself broadcasting from a besieged London in World War II. At CBS television, his expose of Joseph McCarthy led to the end of the senator's power. Later an executive at CBS and then director of the U.S. Information Agency under John Kennedy, Murrow always fought relentlessly, often alone, for the free dissemination of news and information. Sperber's interviews with Murrow's family, friends, and colleagues give the book a more personal tone than Alexander Kendrick's Prime Time: the life of Edward R. Murrow (Little, 1969) or Fred Friendly's Due to Circumstances Beyond Our Control (Random, 1967). Highly recommended. Melinda Stivers Leach, Precision Editorial Svces., Wondervu, Col.
Copyright 1986 Reed Business Information, Inc.
About the Author
A. M. Serber 1935-1994 also co-authored Bogart, with Eric Lax.
Most helpful customer reviews
17 of 18 people found the following review helpful.
Courage, Camels, and Corporate Controversy
By Thomas J. Burns
By the time most of us baby boomers were old enough to watch more substantive television fare than Felix the Cat, Edward R. Murrow was an aging icon without portfolio. He did not have the regular exposure of a Douglas Edwards, Chet Huntley, or David Brinkley. He would on occasion do spectacular work-as elementary school students we would discuss his "Harvest of Shame" documentary on the sufferings of migrant farm workers. But it was from our parents and older relatives that we inherited something of a sense of his importance in an earlier time, in the same fashion that they might speak of a Bob Taft or an Adlai Stevenson.
What we could not know in 1959, what biographer A.M. Sperber makes abundantly clear, is that we were watching the shell of a driven man who had exhausted his incredible stores of emotional energy to international cooperation, then to radio coverage of the horrors of World War II, and on to shape the formation of the CBS new department during the explosion of the television era and the age of McCarthy. Sperber traces the rise and decline of this charismatic, almost manic, entrepreneur from the most unlikely of origins, that of a lumberjack named Egbert who quickly realized the liabilities of his given name in the male work camps of Washington State.
Egbert, now Edward, chopped wood only long enough to scratch and claw his way into Washington State College. A student with fingers in many campus pies, he joined an organization called the International Institute of Education in 1931. The IIE in the early 1930's was a form of college student exchange program, one of its sponsors being the not-quite-ready-for-prime-time Columbia Broadcast System. When Murrow spoke at a West Coast gathering of IIE representatives, he earned himself election to the national office of the IIE in New York, a paid position there, and free air time on CBS radio. Murrow produced Sunday afternoon radio lectures and round table discussions, demonstrating a flair for attracting international speakers. As Murrow learned more about the plight of Jews in Germany from reporter [and later close friend] William Shirer, he used the machinery of the IIE in the United States to rescue as many Jewish intellectuals as possible and place them in American colleges. It was a tactic not universally appreciated, nor would his close cooperation with the Russians be forgotten by J. Edgar Hoover.
By the beginning of the Battle of Britain, Murrow was assigned full time by CBS to provide radio coverage of Hitler's assaults and to coordinate the company's European reporting network. It is impossible to capsulize here the horrors of those eighteen months for Murrow and for England generally, when every night brought a terror at least as awful as the World Trade Center bombing. Murrow created a network of European radio correspondents-many of whom would become household names in their own rights. He overcame industry biases against putting reporters on the air and using taped reports from the fields. But most of all, he revolutionized the very style of radio news into "factual storytelling" by his nightly accounts of German bombings that by happenstance occurred during the East Coast's prime time 7 P.M. radio news hour. Later, as the theater of war shifted east, Murrow was among the first western reporters to see first hand an operating extermination camp. He could not bring himself to talk about it over the air for several days.
Murrow returned to CBS in New York a conquering hero of sorts, the network's hottest property. Sperber does a good job in explaining why the postwar Murrow-CBS marriage was a stormy one. For one thing, the war years had reshaped Murrow into a cross between an Old Testament prophet and a posttraumatic stress sufferer. He would never be quite at home in an industry moving toward television, increased advertising dependence, and escapism. Secondly, Murrow was too much the prophet to claim objectivity. He would never be confused with, say, Bob Trout. Long before Woodward and Bernstein, Murrow crafted the art of investigative reporting for a presumably concerned nation, particularly through the medium of his weekly "See It Now" series, a rough and tumble forerunner of "60 Minutes." His most controversial television piece, his hour-long exposure of Joe McCarthy, was out and out editorializing, albeit accurate. In Murrow's mind, he was serving the common good. Others were not so sure. Thirdly, Murrow himself had a past that made him a potential network liability. When he produced his "Harvest of Shame" documentary, for example, hardly a paean for capitalism, those with long memories would recall his enthusiastic embrace of Russian intellectuals in the late 1930's with the IIE.
The great irony in the breakup of Murrow and CBS is that the deciding infidelity may possibly have been unintentional. In 1960, with quiz show scandals threatening the credibility of the television industry, CBS President Frank Stanton announced a policy to eliminate the appearance of deceit in any of his network's programming, not just quiz shows. When pressed as to the extent of this policy, the network cited other programming, including rather surprisingly Murrow's own "Person to Person" prime time home visits to celebrities. In one reading of this event, Stanton may have simply been protesting the pre-scripting of interview questions and the staged walk-through of the homes. Or, there may have been a subtler message. A young Harry Reasoner inquired of Murrow on air, in so many words, "why are you, the Jeremiah of the industry, wasting precious prime time with the innocuous drivel of fighters and starlets?"
Unlike Reasoner and Howard K. Smith, who felt no compunction about switching networks, Murrow lived and died CBS. Illness and ultimately death interrupted his stint as window dressing for the Kennedy administration in 1965. Perhaps his prodigious cigarette smoking had finally claimed him. More likely, it was the pressure of living so many lives in one frail human shell.
2 of 2 people found the following review helpful.
"The Fault, Dear Brutus, Is Not In Our Stars..."
By Joseph Peyronnin
"Murrow: His Life and Times" is a superb biography about Edward R. Murrow. No one had a greater impact in defining and shaping broadcast journalism than Murrow, and in highlighting the responsibility of journalists, broadcasters, government and citizens in a democracy. Television, he observed in 1954, "can teach, it can illuminate...but it can only do so to the extent that humans are determined to use it to those ends...otherwise it is merely lights and wires in a box." Whether his brilliant and breathtaking radio coverage from London of World War II, or his confrontation with red-baiting Senator Joe McCarthy, he was always principled, strong and courageous. Speaking of the anti-communist hysteria sweeping this country in the early fifties he would turn to Shakespeare, "The fault, dear Brutus, is not in the stars, but in ourselves." As mass media races onto the Internet and enters a new digital era, the experiences and issues raised during Murrow's life become even more relevant. In the mid-fifties he warned, "the frontiers of knowledge have been pushed back, and the more that comes to be known, the less is understood...looking ahead to a time when human destinies are to be determined by the uses or abuses of new sources of almost unlimited physical power, one may ask if democracy will be able to develop the competence to deal with these complexities." He concluded, "If so, it must be through a broadening of education and the use of communications not yet realized, or perhaps even conceived." Murrow is a man for all times.
15 of 15 people found the following review helpful.
An Icon For The Advent Of Electronic Media Journalism
By Barron Laycock
Few figures stand so prominantly in 20th century folklore as does Edward R. Murrow, who spoke with such force and gravity over the radio and televison airwaves as did his colleague Walter Lippmann in the medium of print. His is a singular and absorbing story, cutting such a swath through the annals of the last century's history as to guarantee himself a place in the patheon of journalistic greats. That said, this is a wonderful biography of a man so uniquely gifted as to stand alone as an icon. This is indeed a work of prodigious scope and historical proportions, one covering the rise of this man in the streets and towers of London during the dark days of the war in Europe, who with his colleague William Shirer (later author of the best selling book, "The Rise and Fall of the Third Reich"), pioneered the use of trans-Atlantic radio broadcasts as a method of communicating real-time coverage of current events. In so doing, he brought home the poignant message of how close the war was drawing to Americans. In this sense, then, his biography closely parallels the historical epoch of both war-time and post-war America.
He was the virtual prototype of the international newsman, urbane, well-spoken, and yet brutally honest and beyond reproach. He conveyed a sense of integrity that became a model for eeryone who followed, from the early days of colleagues like Eric Sevareid, Harry Reasoner, David Brinkley, and Walter Cronkite to the well-polished and quite cosmopolitan Peter Jennings. He beacame a power unto himself, gaining unrivaled credibility and relevance with the American people, with a somewhat dour and hyper-serious demeanor, almost a paradoy of himself as he related the latest in the world news. This work concentrates on his incredible gifts as well as on his initial work during the second world war exposing the truth and horrors underlying fascism. In the process, he gained widespread credibility not only for himself, but also for the so-called fourth estate and privilege for journalists at large. later he founded a team incorporating the best of the wartime correspondents , including Willaim Shirer, Charles Collingwood, Howard K. Smith, as well as many others.
Yet after the war he received both greater fame as well as a kind of denouement, in the sense that in order to rise and maintain his poosition at the top of the new world of television-based journalism, he had to deal with moral cretins and the contamination of corporate money politics. Eventually this led to a break between Murrow and CBS, although in the process he forged bonds with such new notables as Fred Friendly that led to the famous series "See It Now". Even in the midst of all this very public history, Murrow was at the same time a very private, shy, and melancholy man, who was given a very rich personal life he managed to keep far from the foibles of the cameras. This work by Ms. Sperber is a seminal work, one that takes a loving and fascinating look at a complex, memorable, and highly moral man who managed to make his way through the temptations of the 20th century while keeping his dignity and integrity along his rather remarkable way. Enjoy!
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